Abstract artwork showing a glowing turquoise vein emerging from a dark, mineral background – artwork from the Lithomorphe series by Denis Leclerc.

Abyss Vein

Posted on 24 August 2025 | by Denis

A Vein Surfaces in the Abyss

Abyss Vein is a suspended fracture — a moment where pressure and light converge in silence. Emerging from the Telluric Form series, the piece reflects on rupture, containment, and the internal movement of matter just before release. The central form evokes a glowing fissure, not erupting, but forming slowly under invisible weight.

The composition plays with opposing forces: darkness and light, structure and erosion, density and drift. Visual tension builds through layered textures, subtle distortions, and the suggestion of geological depth. Nothing explodes — instead, everything holds. The surface becomes a site of pressure, silence, and presence.

Abyss Vein is available both as a limited-edition archival print and as a contemplative screen-based work. While the print captures the tactile weight of the image, the moving version animates the fracture itself — revealing slow pulses of light, minute shifts in atmosphere, and the emergence of form from within.

The animation unfolds like a tremor just below perception. It is not narrative but spatial — a subtle choreography of textures and light, meant to be inhabited rather than watched. Its ambient soundtrack draws from ASMR aesthetics, amplifying the immersive and tactile quality of the piece. This screen-based version invites quiet attention, functioning as a digital relic in motion. Watch the animation on Instagram.

Whether viewed as a physical print or a silent digital presence, Abyss Vein reveals a space of tension held open. It invites us not to witness a rupture, but to enter the moment just before it becomes one.

Not a fracture. A pulse. An opening. A passage.
— Ego Klar

Residual Core

Posted on 23 July 2025 | by Denis

Residual Core: A Digital Exploration of Memory and Tension

Residual Core is part of the Core Archive series — a contemplative body of work exploring digital density, suspended matter, and the quiet residue of memory. This piece unfolds through slow visual gestures, animated textures, and a persistent tension between form and erosion.

The animation begins with large textured surfaces. These gradually reveal themselves through opacity. In addition, a soft color field spills in, like sediment drifting into view. Subtle pulsations and blurred thresholds evoke something unresolved — the trace of guilt, or the heaviness of thought that won’t dissipate.

A looping motion suggests that even stillness is alive with tension. The ambient soundtrack, composed specifically for this piece, combines deep tones, granulated pulses, and occasional atonal surges. As a result, the audio mirrors the slow, layered rhythm of the composition.

Residual Core: Contextual Reflection

Residual Core emerges from a reflection on what remains after the visible has dissolved — a digital residue that resists erasure. Within the Core Archive series, this piece becomes a form of emotional sediment. It captures what is left behind when presence becomes memory, or when clarity fades into abstraction.

Inspired by erosion, guilt, and the limits of perception, the artwork invites the viewer to engage with what is unseen. In contrast, there’s a tension between exposure and concealment. The form seems to struggle to surface through a fog of time. It resists full comprehension and asks for contemplation rather than resolution.

Residual Core: Printed Edition

Residual Core is also available as a high-resolution archival print. It is produced with giclée technology on Hahnemühle Photo Rag — a fine art paper known for its soft texture and museum-quality depth.

This edition translates the digital density and visual tension of the screen-based version into a tangible object. Therefore, the printed work retains the layered composition and textured atmosphere of the moving image. It offers a contemplative presence, even in stillness.

Prints are available in three formats through the Limited Edition collection. Each print includes a 1-inch white border. In addition, all editions come signed and include a certificate of authenticity.

Watch the reel

View the contemplative reel for Residual Core on Instagram. The video includes text segments and audio developed specifically for this digital piece.

Dispersal Trace

Posted on 10 July 2025 | by Denis

Exploring Dispersal Trace

Dispersal Trace is the fourth work in my Liminal Drift series. It grew from my exploration of transitional states — places where forms dissolve and reappear. Nothing feels fully fixed here.

This piece suggests a subtle tension between presence and absence. Soft veils of light drift across a dense background. As a result, they create the illusion of movement within stillness. A fragment hovers, its contours blurred, caught between arrival and departure.

Viewers are invited to slow down and observe how traces emerge and vanish. Layers of opacity and shifting depth suggest intimacy, yet also distance. The work gently pulls between material presence and quiet dissolution.

Dispersal Trace exists as a still image. However, it began as an animated motion sketch. In this way, faint echoes of movement remain embedded within its surface and texture.

The Beauty of Subtlety

It is worth noting that the simplicity of Dispersal Trace — and of the Liminal Drift series — is intentional. Minimal gestures, soft gradients, and blurred forms are not incomplete. Instead, they reflect my choice to focus on restraint and subtlety.

In a world filled with visual noise, I am drawn to quieter spaces. These works do not seek to explain or impress. They invite each viewer to slow down and notice small details. Stillness becomes a space for reflection and ambiguity becomes a place for exploration.

Like many works in the Liminal Drift series, Dispersal Trace also connects with the concept of “liminality.” This term describes transitional spaces where boundaries blur and definitions fade. Many artists and philosophers explore this idea. A brief overview of liminality can be found here.

A glimpse of its earlier development process is available in my Work In Progress notes.

More from the Liminal Drift series is available online.

Ultimately, Dispersal Trace offers a quiet pause. It allows space to observe subtle shifts and drift through layers of perception. Each viewer brings personal meaning, shaped by memories and moods. In this way, the work stays open — unfinished not in form, but in experience, always waiting to be completed by another gaze.

Echoe Residue

Posted on 21 June 2025 | by Denis

When Lines Reverberate

Echoe Residue is the second digital artwork in the Liminal Drift series. It blends quiet motion and abstract rhythm in a grayscale composition that bridges screen and print. Both animated and physical versions are available through the Dimension Collection.

Echoe Residue and the Language of Disappearance

This work draws its tension from faint signs — broken lines, distant gestures, and the lingering residue of something nearly forgotten. The image unfolds vertically, creating a subtle sense of gravitational pull. Its grain and blurred textures evoke dry media like graphite or charcoal, even though the entire process is digital. As a result, the work feels at once familiar and elusive, like memory in visual form.

Visual Echoes and Fragmented Structure

In the composition, repetition becomes a murmur. The lines do not assert themselves; rather, they echo one another, faintly. There is a resemblance to the line diagrams of the I Ching, those hexagrams built from broken and unbroken lines. Here, structure and signal hover just above recognition. The work feels at once ancient and futuristic, like a transmission across time.

Screen-Based Art That Listens

Although created digitally, Echoe Residue was not merely intended for display on screen. It was shaped by the screen, yet remains rooted in the material sensibility of drawing. This duality aligns with a broader practice in contemporary art, where motion and stillness coexist. Here, the animation does not perform — it breathes. Likewise, the still image doesn’t freeze time — it listens.

“What is remembered lives.”
— Adrienne Rich

The animated version is available upon request and offers a meditative experience, inviting the viewer to inhabit the silence between gestures.

Echoe Residue Is Available in the Dimension Collection

Miniature Marvel – 12 in wide, variable height – 504 $
Grand Gesture – 24 in wide, variable height – 1024 $
Monumental Piece – 36 in wide, variable height – 1924 $

Visit the Liminal Drift series page to explore more works.

Digital Fragments 418

Posted on 30 May 2025 | by Denis

Ethereal Solid Series

Digital Fragments 418 is part of the Ethereal Solid digital art series by Denis Leclerc. Like all works in this collection, it explores abstraction as a porous space. Light, form, and rhythm dissolve into each other. However, this piece feels different. It stands out with its dense textures and layered tension.

At first glance, the shapes look like rock, fabric, or even folded metal. But when you look closer, the image becomes harder to define. It feels layered, as if time had folded in on itself. As a result, Digital Fragments 418 shows a moment of pressure. Everything leans inward—yet nothing breaks.

Curious about the creative process behind this piece?

Visit the Œuvre en chantier page to discover how Digital Fragments 418 took shape — from early experiments to its final form. (The content is in French, the artist’s native language.)

Digital Fragments 418 and the Influence of Dazzle Camouflage

One of the most distinctive features of this Ethereal Solid Series lies in the striped patterns running across the surface. These lines echo dazzle camouflage, a pattern used on warships during World War I. Instead of hiding ships, it confused the eye—making them harder to target.

In the same way, Digital Fragments 418 uses visual misdirection. It pulls the viewer in, then breaks their focus. Rather than offering a single focal point, the image creates shifting zones of rhythm and contrast. Like a dazzle ship, it turns distraction into a kind of strength.

Consequently, this mix of order and ambiguity defines the Ethereal Solid series. Leclerc builds each piece with clarity and care. Although the forms feel unpredictable, each line serves a purpose. Every texture plays a role in the emotional balance of the work.

Furthermore, the artist used high-resolution digital tools. He built the layers on iPad, working over time. Therefore, the result balances movement and structure—gesture and memory, all at once.

Available Formats

This artwork is available in three limited editions. It is part of the Unique Editions collection. All prints use Giclée technology on museum-grade Hahnemühle paper. Each edition includes a 1″ white border and is signed by hand.

Miniature Marvel – 12 × 15.0 in – 504 $
Grand Gesture – 24 × 30.01 in – 1024 $
Monumental Piece – 36 × 45.01 in – 1924 $

In the end, each work in the Ethereal Solid series stands on its own. While they share a visual language, each one tells a different story. Digital Fragments 418 offers a quiet meditation on confusion—and how it can lead to clarity.

Abstract digital artwork by Denis Leclerc featuring sculptural blue and yellow forms on a soft atmospheric background, with a subtle diagonal line in the lower right corner.

Digital Fragments 407

Posted on 29 March 2025 | by Denis

Interaction Between Gesture and Colour

Digital Fragments 407 emerged from a spontaneous interaction between gesture and colour. What began as curved forms quickly evolved. Saturated blues and yellows asserted themselves, creating a sculptural rhythm against a soft, atmospheric background.

At first, a thin diagonal line near the bottom right appeared by accident. Instead of removing it, I chose to keep it. That subtle mark became a quiet reminder that chance and intention often coexist in abstract work. In many cases, it is the unexpected that brings a composition to life.

Digital Fragments 407 is part of the larger Digital Fragments Series. This body of work explores abstraction in the digital realm, balancing gesture, texture, and light. Each piece aims to preserve a trace of movement, suspended in a state of stillness.

Digital Fragments 407 was also featured in the Festival Franco-Ontarien 2025, as part of a group exhibition celebrating the diversity of Franco-Ontarian artists presented by BRAVO.

Order Your Limited Edition Print

Digital Fragments 407 is available in three sizes. Each print is produced on museum-grade Hahnemühle Photo Rag paper, ensuring exceptional depth, texture, and vibrancy.

Miniature Marvel (12” × 15”) — $504
Grand Gesture (24” × 30”) — $1024
Monumental Piece (36” × 45”) — $1924