Tag: Denis Leclerc

Entanglement

Posted on | by Denis

At the Crossroad

Entanglement

Entanglement explores the ambiguity inherent in the creative process by privileging the random to the detriment of the subject. Its organic and unfinished character pays tribute to abstract expressionism, especially the practice of dripping popularized by Jackson Pollock. The entanglement of colored filaments also recalls the network of neuron and axon extensions.

In another order of ideas, entanglement is part of the current philosophical reflexion related to quantum mechanics. In particular, to the theory of probabilities where the existence of a phenomenon is related to the experience of the viewer where two contradictory states coexist (Schrödinger’s cat’s paradox). The ambivalence of the work — painting, sculpture or weaving — invites the spectator to wonder about the superficiality of classifications and genres (fine arts or crafts) and to accept the existence of simultaneous states and multiple universes.

Dada 1. A composition of letterforms, rules, words and silhouettes of Dada's stage costumes.

Dada

Posted on | by The Site

International Digital Miniprint Exhibition 11  

Dada

Dadaism used graphic arts as a preferred means of expression. Graphic artists such as Kurt Schwitters developed a visual language composed of movable types reproduced on mechanical printing presses. This means of reproduction gives Dadaist publications their handmade style .

Dadaism puts words in front. Random words are reassembled following the order of the draw. The typography of words breaks the graphic standards of the time by combining modern fonts with traditional characters, creating a chaotic composition. Dada also marked the theatre by its unusual lyrics and eccentric costumes.

Dada 1 and Dada 2 explore these aspects of Dadaism. The geometric designs are  inspired by Dada costumes. Their iconic treatments are in a contemporary style, although many Dada used Dingbat characters as the symbol of the hand.

The special effects of old paper and faded colours are a reminder of Dada works exhibited in museums. These publications were not designed to last long. They were revolutionary actions against the bourgeoisie and the establishment in reaction to the horrors of the Great War.