Digital artwork titled Compression Field by Denis Leclerc, showing a vertical grayscale fissure emerging through soft, textured grain. Part of the Liminal Drift series.

Compression Field

Where Pressure Becomes Form

The Art of Subtle Emergence

Compression Field is part of Liminal Drift, a digital art series designed for the screen. These works explore the threshold between motion and stillness, between signal and silence. In this piece, a fractured presence slowly emerges through a dense, vibrating field—a flicker, then a fissure. What appears minimal at first begins to register as tension, pressure, and form. This visual metaphor resonates with the concept of a field in physics under stress.

The Fracture as Form

There is no visible event. No explosion. Instead, the surface holds. And then, something yields. The central fissure in Compression Field does not break the composition apart; it shapes it. The fracture becomes form, not an interruption, but a transition. This emergence echoes the idea of containment giving way to presence, as though the artwork itself is exhaling after holding its breath.

Visual Texture and Motion in Compression Field

The work is presented in grayscale, rich in grain and subtle light shifts. Its softness contrasts with the vertical crack that anchors the composition. That crack may suggest erosion, vibration, compression, or resonance—but it remains open to interpretation. The work is not declarative; it invites stillness, and perhaps a perceptual pause.

Compression Field as a Screen-Based Animation

As part of the Liminal Drift project, Compression Field was also rendered as a silent animation, shared as a contemplative Instagram Reel. The piece culminates in a quote by David Bohm: “Everything is enfolded in everything,” referring to his interpretation of quantum mechanics and the implicate order. Learn more about David Bohm’s perspective on quantum theory.

Available Formats – Dimension Collection

Each piece in the Liminal Drift series is available as a collectible pigment print on Hahnemühle Photo Rag, using Giclée technology. Prints include a 1-inch white border for framing. Learn more on the Unique Editions page.

  • Miniature Marvel – 12 in wide, variable height – 504 $
  • Grand Gesture – 24 in wide, variable height – 1024 $
  • Monumental Piece – 36 in wide, variable height – 1924 $


Digital Fragments 418 from the Ethereal Solid series by Denis Leclerc, showing a complex, stacked abstract form with striped textures reminiscent of dazzle camouflage, in muted beige and grey tones.

Digital Fragments 418

Digital Fragments 418

Ethereal Solid

Digital Fragments 418 is part of the Ethereal Solid digital art series by Denis Leclerc. Like all works in this collection, it explores abstraction as a porous space. Light, form, and rhythm dissolve into each other. However, this piece feels different. It stands out with its dense textures and layered tension.

At first glance, the shapes look like rock, fabric, or even folded metal. But when you look closer, the image becomes harder to define. It feels layered, as if time had folded in on itself. As a result, Digital Fragments 418 shows a moment of pressure. Everything leans inward—yet nothing breaks.

Curious about the creative process behind this piece?

Visit the Œuvre en chantier page to discover how Digital Fragments 418 took shape — from early experiments to its final form. (The content is in French, the artist’s native language.)

Digital Fragments 418 and the Influence of Dazzle Camouflage

One of the most distinctive features of this Ethereal Solid Digital Artwork lies in the striped patterns running across the surface. These lines echo dazzle camouflage, a pattern used on warships during World War I. Instead of hiding ships, it confused the eye—making them harder to target.

In the same way, Digital Fragments 418 uses visual misdirection. It pulls the viewer in, then breaks their focus. Rather than offering a single focal point, the image creates shifting zones of rhythm and contrast. Like a dazzle ship, it turns distraction into a kind of strength.

Consequently, this mix of order and ambiguity defines the Ethereal Solid series. Leclerc builds each piece with clarity and care. Although the forms feel unpredictable, each line serves a purpose. Every texture plays a role in the emotional balance of the work.

Furthermore, the artist used high-resolution digital tools. He built the layers on iPad, working over time. Therefore, the result balances movement and structure—gesture and memory, all at once.

Available Formats

This artwork is available in three limited editions. It is part of the Unique Editions collection. All prints use Giclée technology on museum-grade Hahnemühle paper. Each edition includes a 1″ white border and is signed by hand.

  • Miniature Marvel – 12 × 15.0 in – 504 $
  • Grand Gesture – 24 × 30.01 in – 1024 $
  • Monumental Piece – 36 × 45.01 in – 1924 $

In the end, each work in the Ethereal Solid series stands on its own. While they share a visual language, each one tells a different story. Digital Fragments 418 offers a quiet meditation on confusion—and how it can lead to clarity.

Framed digital artwork titled Digital Fragments 417 by Denis Leclerc. Abstract tubular forms in layered gray and ivory tones, slightly blurred and textured, emerging from a pale background with a soft gradient. Part of the Ethereal Solid series.

Digital Fragments 417

Digital Fragments 417

Explore a New Palette

Digital Fragments 417 is part of the Ethereal Solid series by Denis Leclerc. It introduces a new direction in the collection. Earlier pieces used warm tones. They often resembled light, skin, or sand. In contrast, this work shifts to a grayscale palette built around charcoal, slate, and silver. As a result, it brings a colder atmosphere—but one filled with depth and quiet tension.

Why Gray Matters

This new color choice is deliberate. While many see gray as neutral or dull, it actually carries emotional weight. It feels quiet, yet expressive. In this piece, gray becomes a space for contrast and reflection. Moreover, it softens edges and reveals subtle shifts in tone. Because of this, the image invites slower looking. Without bold colors, forms emerge more gently—yet with greater clarity.

Abstract Form with Realistic Intent

Although the shapes appear abstract, they hold a sense of realism. The curves suggest folds of cloth or muscle. The whole composition feels like it could collapse—yet it stays intact. This fragile tension is key to the work. As a result, it offers an inner structure that seems to breathe. Compared to chaos, there’s a sense of balance. It’s unstable, yes, but still grounded.

Light, Tension, and Composition

What sets this work apart is how it interacts with light. Gradients shift softly across the surface. At the same time, translucent layers overlap and blend. Shadow and form blur together in a quiet rhythm. As a result, motion appears inside stillness. The image feels like it might unfold or fade. This visual language speaks to the core idea of the Ethereal Solid series: form that holds itself together, just barely.

Edition Details

Digital Fragments 417 was created digitally at high resolution (6552 × 8192 px at 300 dpi). Thanks to this format, the artwork supports large-scale printing without losing detail. Each edition is printed on Hahnemühle Photo Rag using archival Giclée technology. You can also find it through the Unique Editions collection.

Prints are produced by Toronto Image Works, a fine art lab based in Toronto. They also specialize in high-end Giclée printing and ensure the image preserves its original tone and softness.

  • Miniature Marvel (12” × 15.0”) — $504
  • Grand Gesture (24” × 30.01”) — $1024
  • Monumental Piece (36” × 45.01”) — $1924

Each print includes a 1-inch matte white border, the artist’s signature, and a certificate of authenticity.

Artwork Details

  • Title: Digital Fragments 417
  • Series: Ethereal Solid
  • Medium: Digital painting + animation
  • Print: Hahnemühle Photo Rag
  • Created: May 2025
  • Artist: Denis Leclerc

Continuing the Conversation

In essence, this work continues a key thread in my practice—giving shape to what cannot be touched. Digital Fragments 417 is quiet, yet never passive. Its tones are muted, but its structure holds meaning. It connects to earlier works. At the same time, it opens a more internal, intimate voice. It’s just one fragment, yes—but it expands the story I’ve been telling all along.